One of the most under appreciated inventions of the western world is something we use every day, at nearly every meal – the fork. Whether you use silver, aluminum, or the plastic variety, you are furthering a cultural tradition that dates back six hundred years. Few people realize that the fork was popularized as a life-saving device. Prior to the Age of the Fork, Italians had eaten dinner using large knives. With families being what they are, arguments around the dinner table erupted and sooner or later someone would be stabbed. By the 15th century, however, the Italians noticed that stab wounds from forks were not always fatal– thus the modern world was born! While the west has developed the intricacies of a 16-piece place setting, our eastern brethren have for two thousand years perfected the elegant mealtime art form of, chopsticks.
Called hashi in Japanese, the underlying concept of chopsticks is revolutionarily simple – two thin staves of wood used to elevate sustenance from plate to mouth. It is so simple that even a child can do it, and more than a billion do. Of course the material need not be wood. While the variety found in the United States is somewhat limited, the diversity available in Japan is staggering. There are chopsticks of every shape, size, color, and price. There are the plastic training sticks for your toddler with images of their favorite cartoon character and giant padded chopsticks for your arthritic aunt. The more ostentatious can even purchase handmade lacquerware with inlaid gold for the price of an inexpensive automobile.
Just as a good mechanic has to have the right tool for the right job, no single set of chopsticks is appropriate for every meal. Sticks with sharp needle-like points are perfect for delicate operations, while the blunt nose variety are better suited for tougher fare. Having a problem with some foods sliding off the end of the sticks? Try ones with a textured tip to better grip the food. Want to cook without scalding your hand? The 18-inch cooking sticks are perfect for use with a wok or sword fighting with a younger sibling.
This amazing history of gastronomical engineering design floated through my mind as I walked the streets of Kanazawa in search of dinner on my last night there. In bold neon from a second story window beckoned English characters spelling “Chopstick Café.” As I walked closer I could make out the smaller print to determine that the restaurant had additional locations in “Kanazawa, Tokyo, Vancouver, Los Angeles, and Santa Monika.” Any business that can understand the subtle differences in the 16 miles between Los Angeles and Santa Monica has to be worth trying.
After being greeted and escorted through the foyer by an attractive hostess, we were assaulted by the volume of the restaurant. All of Japan is loud anyway, but this was a din greater than that of the nightlife on the streets below. For a server to take your order, you had to tell them, and then they would shout it to the kitchen. The chefs in return would have to answer the call by repeating the order – the whole dozen or so of them. Needless to say as it was a busy night, no one in the whole place ever shut up long enough to get a word in edgewise. The lighting was dark and the furniture, smooth and cold. Modern. The very embodiment of “cool.” The tables on the outer edge, overlooking the streets below, were already filled by the time we walked in, so we chose seats at the bar facing the kitchen.
The kitchen was the center of the restaurant. All the action was on display and the chefs were the performers. It was choreographed chaos to witness the hurried preparation of a dozen gourmet non-traditional Japanese dishes simultaneously. Directly in front of me, on a stand on the back counter, was an entire leg of some large animal; I’m still not entirely sure of what, but, as orders came in the chefs would carve a piece from it and off they went. I had the teriyaki duck and, as you might imagine, it was delicious.
A waiter brought a whole fish on a plate out to a couple several seats down. It wasn’t a fish fillet; it was an entire fish, head, scales, fins and all. After setting it down, waiter casually reached out from under the counter and pulled out an industrial blowtorch, identical to what can be purchased from your local hardware store. Setting the torch on a high burn, he went to work on the fish. With orange flames licking the edges of the plate, the waiter blackened the fish right there. The only thing stranger than the unsettling knowledge that your waiter was a pyromaniac was the calm and expectant look on the faces of the couple. Not only were they unconcerned about the fireworks before them, they rather enjoyed it. Once complete, they immediately used their chopsticks to break pieces of the fish off and start to eat it. Why would you go to an expensive restaurant for something you could have done in the garage for a fraction of the cost?!
With our funds quickly depleted, we departed for cheaper forms of late night entertainment. With all the gratitude that would be expected of a good waitress, we were given a 10% off coupon for our next visit. As we were leaving for Tokyo in the morning and then to the States, it left me wondering, would they honor the coupon at their Santa Monika location?

